Blanche Dubois and Tom Wingfield’s Struggle Between Fantasy and Reality

Blanche DuBois and Tom Wingfield’s Struggle Between Fantasy and Reality The two characters, Blanche DuBois from A Streetcar Named Desire and Tom Wingfield of The Glass Menagerie, both offer an extreme battle among dream and reality in their lives causing reliance upon liquor. Whiten DuBois approaches as a high class Southern Belle who relies on others to think about her, however in actuality she blossoms with her self-broadcasted sovereignty. In the interim, Tom Wingfield is a skeptical character who denies his life working at a shoe processing plant for his mom and sister while living in the shadows of his dad. Both these characters likewise build up a reliance upon liquor to conquer clashes they are confronted with. Blanche’s battle happens in the wake of losing all she had back home in Belle Reve with the exception of her trunk of garments and props, yet is presented to the hash truth of this present reality where she can't adapt and should rely upon others. One model, for example, Stanley Kowalski’s companion, Mitch, whom she right away needs to wed to be spared from her present corrupting way of life. â€Å"Ms. DuBois says that she is on an excursion at the Kowalski’s, however in reality has lost the family chateau, Belle Reve, and her showing position because of her sexual careless activities, the last one with a 17-year-old kid while procuring a notoriety for laying down with men aimlessly, meanwhile professing to be a Southern chime (Magill standards. 1-2). Blanche is so up to speed in her dreamland that she even had relations with the conveyance kid, too, so she may veil her age with youth and to have control of another. Tom ends up attempting to satisfy his fantasies about composing verse. This is because of his working at the neighborhood shoe manufacturing plant so he can bolster his family. â€Å"Mr. Wingfield is frantically miserable in his stockroom occupation, and winds up remaining on the emergency exit to t he loft in his expectations of one day escaping to seek after his fantasies as his dad bloomed (standards. 15-16). Tom is continually talking about how he is held down from his expectations, objectives, dreams, and aspirations stuck in the shoe manufacturing plant making a lousy compensation for his family, comprised of a wiped out sister and incoherent mother. Tom can't acknowledge the truth that encompasses him and is continually mulling over about his fantasy life, which he is shielded from accomplishing. Blanche, similar to Tom, manhandles liquor to get away from her battles among dream and reality. Blanche is recognizably an abuser of liquor as she is found continually tasting ceaselessly at alcohol to overlook her past, which her still, small voice knows is liable. Tom is supposed to be at â€Å"the movies,† in the mean time he is in reality out at the bars the entire hours of the night. This is Tom’s method of briefly getting away from his home and overlooking his obligations that trap and keep him from achieving his objectives throughout everyday life. Neither one of the characters needed liquor, yet mishandled it to an insufferable level, where they expended it when confronting unpleasant occasions or disturbing recollections that followed. Additionally, in the two plays these two characters shrouded the way that they ever even devoured alcohol, while they were continually drinking in complete refusal. The two characters, Blanche DuBois from A Streetcar Named Desire and Tom Wingfield of The Glass Menagerie, both offer an exceptional battle among dream and reality in their lives causing reliance upon liquor. Blanche’s powerlessness to adapt to this present reality alone makes her a feeble character. She can't live freely and has lost such once made her life, back in Belle Reve, because of her mistook relationship for an understudy of hers. Tom, despite what might be expected, has a solid character that is worked on after some time because of the tormenting way of life he should live to help his family. After time this solid establishment of character decreases as Tom needs to escape his fixed life back at home. 1. Magill Book Reviews 1990/03/15 2. Blossom's Modern Critical Interpretations: The Glass Menagerie; 1988, p31-41, 11p 3. Merriam-Webster's Encyclopedia of Literature; Letter D, pN. PAG, 1p 4. Tennessee Williams. A Streetcar Named Desire. Harold Bloom †manager. Distributer: Chelsea House. Spot of Publication: New York. 1988. 5. Tennessee Williams. The Glass Menagerie. Harold Bloom †manager. Distributer: Chelsea House. Spot of Publication: New York. 1988.